JY16 - rllimeD .B liceC

THE WAY TO MAKE A FILM IS TO BEGIN WITH AN EARTHQUAKE AND WORK UP TO A CLIMAX. — CECIL B. DEMILLE

JY15 - ppeD ynnhoJ

AWARDS ARE NOT AS IMPORTANT TO ME AS WHEN I MEET A 10-YEAR-OLD KID WHO SAYS, ‘I LOVE CAPTAIN JACK SPARROW!’ — JOHNNY DEPP

JY14 - selleW nosrO

IF YOU WANT A HAPPY ENDING, THAT DEPENDS, OF COURSE, ON WHERE YOU STOP YOUR STORY.” — ORSON WELLES

JY13 - dnartS kraM

IN A FIELD / I AM THE ABSENCE OF FIELD. / THIS IS ALWAYS THE CASE. / WHEREVER I AM / I AM WHAT IS MISSING. —

MARK STRAND

JY12 - semaJ .D.P

PERHAPS IT’S ONLY WHEN PEOPLE ARE DEAD THAT WE CAN SAFELY SHOW HOW MUCH WE CARED ABOUT THEM. — P.D. JAMES

JY10 - streboR cirE

SOMETIMES MOVIE-MAKING HAPPENS LIKE CLOCKWORK; OTHER TIMES, LIKE A CAR ACCIDENT. — ERIC ROBERTS

JY1z - setaG lliB

SUCCESS IS A LOUSY TEACHER. IT SEDUCES SMART PEOPLE INTO THINKING THEY CAN’T LOSE. — BILL GATES